Today I am talking about the pros and cons of condenser microphones. When and why would I choose a condenser mic over a moving coil or ribbon mic? Here are a few thoughts and ideas. If you have any questions or knowledge that you want to share feel free to post a comment.
Condenser mics come in many varieties these days. Large, small, expensive, cheap, great sounding and terrible sounding. In this video I briefly discuss the operational characteristics of condenser microphones. One thing that I did not mention in this video is the fact that many condenser microphones were not actually designed or intended to be used in close proximity to the source. Some will sound great at a distance of 3 feet, but become really grating up close. So when I say there are some terrible sounding condenser mics, what I really mean, is that you can make them sound terrible if you use them in a manner in which they were not intended. Most condenser mics can sound pretty neutral and accurate if you find the sweet spot. Of course the problem is that many people recording these days are doing it in a bedroom or other space that does not lend itself well to more distant microphone techniques. So the secret in that case, is to make sure you find a mic that sounds great up close. Good Luck!
When using a condenser mic, I always find, unless the source is moderately loud, you will struggle with picking up everything else. This is because of their high sensitivity. A blessing and a curse to be sure, but if we are aware and diligent we can avoid the curse and receive the blessing!
Thanks for coming along for the ride. Here’s to learning something new!
Jacob Meador
p.s. If you have a suggestion for a topic that you want me to discuss, please comment below or email: manager@orchestratesound.com